The Kunsthalle Dusseldorf presents first Chris Martin exhibition outside of the U.S. PDF Stampa E-mail
Notizie arte e cultura - News d'arte dal mondo
DUSSELDORF.- The Kunst­hal­le is show­ing the first in­sti­tu­tio­nal ex­hi­bi­ti­on outside the United Sta­tes of the Ame­ri­can pain­ter Chris Mar­tin (born 1954, Wa­shing­ton D.C.). Mar­tin has re­gu­lar­ly paid his re­spects to che­ris­hed ar­tist col­le­agues from the fields of pain­ting and mu­sic sin­ce the mid 1990s: Pop gre­ats as well as tho­se who work at or bey­ond the bo­un­da­ries of the zeit­geist. In so­me ca­ses, li­ke Micha­el Jack­son, Ja­mes Brown or Frank Moo­re, who con­cei­ved the red Aids rib­bon, the pic­tu­res we­re promp­ted by their de­aths. Such de­di­ca­ti­ons pla­ced Mar­tin’s ex­pan­si­ve com­po­si­ti­ons on the fo­un­da­ti­on of a so­ci­al frame of re­fe­rence, are ge­stu­res of re­ver­ence and so­li­da­ri­ty. At the sa­me ti­me, they break wi­th the pu­ri­ty re­qui­re­ments of co­lour field pain­ting and mo­no­chro­me pain­ting. The na­mes stand awk­ward­ly and co­ar­s
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